Arriving passengers are guided towards the hub of Dock A &#; which is split across seven floors which are visually connected through the generous light-filled atrium. Passenger flows are funneled through the atrium that connects all floors via stairs, escalators and elevators &#; from the underground immigration hall to all arrival and departure levels, and the lounges on the top floors of the central hub.

The building’s structure is designed as a stack of two volumes, or rectangle ‘blocks’ &#; two per floor &#; with each pair rotated degrees from the floor below. On the interior, each individual volume is expressed as a rectangular wood-clad truss on the long edges, and as a floor-to-ceiling glass facade on the shorter sides. The continual rotation of each floor creates a sky-lit, central atrium at the heart of the building that provides direct views into classrooms and research spaces from all levels.

Following these developments, the installation of urban furniture sculptures began based on the daily needs of the city, and cities found a new structure. The need for the use of livable street areas and the experience of the city in creating public space and attention to the design of urban spaces became wider every day. On the other hand, social life and daily activities that took place outside the home, covered large parts of the city, and on the other hand, the various expectations and tastes of citizens to use these spaces increased moment by moment.

جوایز The Frame بهترین پروژه های طراحی داخلی دنیا را معرفی می کند. در این سال از میان اثر برجسته از سرتاسر جهان به داوری گذاشته شده اند و در نهایت ۸ طرح در بخش های مختلف شایسته دریافت جایزه شدند. نگاهی به مهم ترین جوایز این مسابقه معتبر بین المللی خواهیم داشت.

Running from January through August , Hot to Cold marked BIG&#;s first major North-American exhibition offering a behind-the-scenes look at BIG&#;s creative process and how the studio&#;s designs are shaped by  cultural and climatic contexts. More than architectural models, mock-ups and prototypes were suspended at the sec­ond-floor balconies of the museum&#;s historic Great Hall, turning the architecture of the National Building Museum into the architecture of the exhibition.