An unbroken section measuring only mm in diameter shapes the structure and houses all the opto-electronic and mechanical elements. Its minimalist presence creates a perfect balance between different materials, weights, light quality, precision of movement and functionality, revealing a deep know-how merged with technological innovation. What appears to be continuity is actually a succession of components with different functions and characteristics, which translate technological complexity into simplicity and freedom.

BIG was invited for a competition to design a Maritime museum inside the neighboring decommissioned dry-dock, where ships used to be built. Instead, BIG proposed to place the museum underground, just outside the wall of the dock in order to preserve the dock as an open, outdoor display, maintaining the powerful structure as the center of the Maritime Museum. By placing the museum this way, it appears as a discreet part of the cultural environment associated with the Kronborg Castle and the neighboring Culture Yard, while at the same time manifesting itself as an independent institution.

BIG NYC has called Dumbo home since . The , sq ft full floor office wraps around an interior courtyard and houses nearly BIGsters. BIG&#;s interior design team led a complete renovation of the space over six months: interior walls were removed to accommodate the open-plan design, which includes ample room for an architectural model workshop, an exhibition hallway, meeting rooms, a canteen, a library and recreational space.

The first building completed within the masterplan is The Honeycomb, designed in response to the Bahamian lifestyle. Each home has a giant balcony forming an outdoor living room with a summer kitchen and a pool sunken into the floor. The floor slab dips down to accommodate the body of water. The weight of the water is carried by the four meter high partition wall between the homes below serving as a room high concrete beam. The fourth wall of the pools is made from acrylic aquarium glass. Swimmers become fully immersed in the view of the marina

As a projection of a geometrically perfect circle on to the steep slope, the new gallery is conceived as a courtyard building that combines a pure geometrical layout with a sensitive adaption to the landscape. The three‐dimensional imprint of the landscape creates a protective ring around the museum’s focal point, the sculpture garden where visitors, personnel, exhibition merge with culture and nature, inside and outside.