The project includes the restoration of the Daily Express Building grade II* listed building. The headquarters of the newspaper &#; once the epicenter of the newspaper industry and one of London’s finest Art Deco interiors &#; will for the first time in its history be given a stand-alone status. The project will provide inclusive public access to the original art deco lobby, as well as the exterior roof amenities that include views of the surrounding city.

Inside, the functions of the new JRC building are organized with public program and amenities such as dining, a conference center and social spaces on the ground floor, while the offices and research units occupy the upper floors for privacy and security. The collaborative workplaces face the plaza, while the deep-focus workspaces face the garden. The proposed layout is designed to be entirely flexible and adaptable according to any future needs of the JRC.

The volumes of varying sizes and depths are stacked on top of each other from the largest at the base to the smallest towards the top. The stacking creates large outdoor terraces full of lush greenery and unprecedented views of the surrounding cityscape, extending life and social interaction outdoors. The modernist skyscraper and the contemporary interpretation of the pre-modern setback merge in a new hybrid and an exciting addition to the NYC skyline.

A rooftop venue and café are accessible to the public as well. The sloping of the roof creates an amphitheatre-like space that is framed by a dramatic backdrop of the city itself. With open venues, one sheltered and one with a rooftop view, &#; and traditionally hidden theatre spaces being revealed out towards the city &#; the new National Theatre of Albania will be both stage and actor in the city of Tirana.

From the street level, a series of walls are pulled open for visitors to enter the commercial spaces from the north and south end of the buildings, while professionals enter from the front plaza into the daylight-filled lobby. Once inside, the linearity of the building façade continues horizontally: the pixel landscape of the stone planter boxes is in the same dimensions and pattern as the ripples of the building envelope.