The vegetation and landscape at the Panda House closely mimic the pandas’ natural habitat with patches of bamboo scattered throughout. The pandas must be able to find both shade and sun, as well as water and foliage. By creating two forests – a dense, mist forest and a light green bamboo forest, Mao Sun and Xing Er have the opportunity and flexibility to explore both landscapes, according to season, temperature and preference.
To trigger a Dantean turn of events toward the end of the film, the main character constructed a house out of frozen corps. It needed to resemble a child’s idea of a house. Archaic and iconic. It had to be credible as something made in a hurry, but also terrifyingly compelling as an architectural vision of horror. Louis Kahn famously reminded us: “It’s important, you see, that you honor the material that you use ‘What do you want, Brick’ And Brick says to you, ‘I like an Arch.’
BIG was invited for a competition to design a Maritime museum inside the neighboring decommissioned dry-dock, where ships used to be built. Instead, BIG proposed to place the museum underground, just outside the wall of the dock in order to preserve the dock as an open, outdoor display, maintaining the powerful structure as the center of the Maritime Museum. By placing the museum this way, it appears as a discreet part of the cultural environment associated with the Kronborg Castle and the neighboring Culture Yard, while at the same time manifesting itself as an independent institution.
The food labs and offices are designed to offer maximum flexibility, with open classrooms, laboratories, and kitchens that can be rearranged for different purposes due to the generous height and width of the spaces. All kitchens and laboratories feature industrial materials for hygiene and maintenance, while public programs use natural materials such as wood and stone to create a welcoming atmosphere.
A rooftop venue and café are accessible to the public as well. The sloping of the roof creates an amphitheatre-like space that is framed by a dramatic backdrop of the city itself. With open venues, one sheltered and one with a rooftop view, and traditionally hidden theatre spaces being revealed out towards the city the new National Theatre of Albania will be both stage and actor in the city of Tirana.