To trigger a Dantean turn of events toward the end of the film, the main character constructed a house out of frozen corps. It needed to resemble a child’s idea of a house. Archaic and iconic. It had to be credible as something made in a hurry, but also terrifyingly compelling as an architectural vision of horror. Louis Kahn famously reminded us: “It’s important, you see, that you honor the material that you use&#; ‘What do you want, Brick’ And Brick says to you, ‘I like an Arch.’

By harnessing the economies of scale associated with greenhouse structures it is possible to provide a % transparent enclosure to provide the future massive silhouette on Uppsala’s skyline with an unprecedented lightness while allowing the citizens to enjoy educational glimpses of what happens within. Rather than the conventional, alienating hermetic envelope of traditional power plants the crystalline volume serves as an invitation for exploration and education. The next generation of creative energy.

Beneath the slopes, whirring furnaces, steam, and turbines convert , tons of waste annually into enough clean energy to deliver electricity and district heating for , homes. The power plant&#;s infrastructure, from ventilation shafts to air-intakes, helps create the varied topography of a mountain; a man-made landscape created in the encounter between the needs from below and the desires from above.

In , restaurant Noma &#; known as the &#;World&#;s Best Restaurant&#;- closed its doors to the th century warehouse that had been its home for fourteen years. After more than three years of planning and collaboration, Noma reopened in on the outskirts of autonomous district Christiania &#; this time at the protected site of an old fortification once used to store mines for the Royal Danish Navy.

Through an intensive curatorial process in close collaboration with the neighborhood&#;s residents, more than objects from cultures appear throughout Superkilen. Ranging from exercise equipment from Muscle Beach in LA and sewage drains from Israel, to palm trees from China and neon signs from Qatar and Russia &#; each object is accompanied by a small stainless plate inlaid in the ground describing the object, what it is and where it is from. The art group Superflex took the public participation further into the extreme by handpicking five groups of people and travelling to the country of their origin to document the process of selection.