The prefabricated elements are stacked in a way that allows every second module an extra meter of room height. By gently adjusting the modules, the living areas open more towards the courtyard while curving the linear block away from the street to expand the sidewalk into a public square. The resulting checkered pattern becomes the trademark of the building. Economical constraints often lead to scarcity — at Dortheavej, BIG managed to create added value for the individual as well as the community.
The base of the building utilizes the maximum area of the site, housing TV studios and , sq ft of retail space over multiple levels. The lobby is connected to the WTC transit hub, providing direct access to subway lines and PATH trains. A public plaza at the foot of the building and access to shopping and restaurants in the adjacent transportation hub and concourses will ensure life and activity in and around the new World Trade Center.
The existing terrain is used to form the shell by casting concrete directly on the sand with all its layers including grasses, mosses, and seashells, like an amber sand dune frozen in time. Once the concrete is dry the space is excavated underneath, leaving the thin sheet of frozen beach hovering above. Like a new sand dune vernacular for Fanø, Lycium will appear as if it was always there, shaped by the winds and the water moving sand across centuries.
A rooftop venue and café are accessible to the public as well. The sloping of the roof creates an amphitheatre-like space that is framed by a dramatic backdrop of the city itself. With open venues, one sheltered and one with a rooftop view, and traditionally hidden theatre spaces being revealed out towards the city the new National Theatre of Albania will be both stage and actor in the city of Tirana.
Slicing breaks down the iconic Gople silhouette and scale into different dimensions and proportions to bring light indoor and outdoor, by interpreting the relationship between spaces and nature. Starting from the principles of production, energy sustainability and respect for the natural environment in which they are inserted, a series of overlapping slats interact with the light and define the body of three suspension lights two floor and one wall/ceiling elements. Slicing can accompany us as we walk about, it helps us to read the surrounding landscape in the movement, it stages the space and creates moments of rest, sharing and meeting, resulting in an experience on a human scale.