Upon entering The Smile, residents are met by red, blue, green, and yellow tiles, inspired by Harlem’s Puerto Rican and Caribbean murals. The exterior of the building trickles into the interior, with the multicolored mailbox mirrors, colored tiles, and the wooden furniture shaped to mimic the curve of the building form. The material palette, herringbone tile pattern and sparks of color are carried into the elevators and the upper floor residential lobbies, creating a unified experience throughout the building.
Students, professors, staff, and visitors will be able to access the new center from two main entrances at the ground floor and the first floor located at different elevations due to the north-south slope of the campus. Students entering through the south side will be met by a cafe and the open auditorium’s grand staircase that leads up towards the atrium. The full-height atrium with open spaces invite collaborative activity embodying both the architectural and educational approach of the center.
Located along Independence Avenue SW from th to th street, the roughly -acre site includes the Castle, the Arts and Industries Building, the Freer Gallery, and the Hirshhorn Museum and Sculpture Garden – all individually listed or eligible for listing on the National Register of Historic Places – and the mostly subterranean Quadrangle Building which is home to the National Museum of African Art, the Sackler Gallery of Art and the S. Dillon Ripley Center.
The building’s structure is designed as a stack of two volumes, or rectangle ‘blocks’ two per floor with each pair rotated degrees from the floor below. On the interior, each individual volume is expressed as a rectangular wood-clad truss on the long edges, and as a floor-to-ceiling glass facade on the shorter sides. The continual rotation of each floor creates a sky-lit, central atrium at the heart of the building that provides direct views into classrooms and research spaces from all levels.
Sjakket Youth Club is situated in Copenhagens Nordvest neighborhood, densely populated with old industrial buildings and contemporary housing. In , when BIG and JDS were hired to convert the building, the area was mainly populated by lower income households and immigrant families. BIG decided to refurbish the factory without gentrifying its raw beauty and alienating its original occupants.