The BIG Pin is designed for the warm, arid climate of the Arizonian desert. The concrete mass of the structure acts as energy storage; heat is absorbed during the day and slowly released during the night to offset the active cooling needs. The perimeter balconies provide the visitors with cooling shade and wide views, minimizing direct sunlight exposure, while also allowing for the clearest possible glass façades.
The site is laid out as a grid of , x , meter squares, creating one continuous pixelated surface. As a topographic map the surface is morphed to form a terraced landscape of towers, accommodating . m housing, hotel, offices and shops. The project becomes an accumulation of individual niches and outdoor spaces forming a collective organic architecture a Scandinavian high rise typology incorporating the human scale, the rationality and flexibility of Danish building tradition.
The interior treatments of these spaces, particularly the live room, take its geometric inspiration from a rigorous understanding of acoustic principles. Cladded floor to ceiling with highly polished oak, the live room possesses a naturally delicate ambience heavily favored by recording artists and provides an outstanding aural experience, inspiring artists to create their greatest hits of all time.
The public servants won’t be some remote administrators taking decisions behind thick walls, but will be visible in their daily work from all over the market place via the light wells and courtyards. From outside the panoramic windows allow the citizens to see their city at work. In reverse the public servants will be able to look out and into the market place’s making sure that the city and its citizens are never out of sight nor mind.
At Rue de la Verrerie the façade pushes a bridge across the street to connect to its neighbor. The traditional elements of architecture fuse into a continuous warped surface: wall becomes roof becomes ceiling becomes gate becomes bridge. At a glance the new architecture blends seamlessly with its neighbors. On closer inspection it is a social sculpture shaped by the flow of people passing between its streets and archways, courtyards and rooftops.