Like Astana, which is located in the heart of the Kazakh mainland, the library would be integrated into the heart of a recreated Kazakh landscape. The park around the library is designed like a living library of trees, plants, minerals and rocks allowing visitors to experience a cross section of Kazakhstan’s natural landscape, and personally experience the capital’s transition across the country from Almaty to Astana.

The plaza will consist of two overlapping spaces. One space is conceived like a contemporary interpretation of the Souk, the vast shaded public space where people gather during the day. Tall slender columns mushroom at the top forming a continuous canopy of interconnected disks. Like light filtering through the leaves of the trees, daylight will seep through the gaps through the canopy above. Each disc is tilted towards the center, rising towards the perimeter – the result is a shaded square – opening up to receive visitors from all directions.

Arriving passengers are guided towards the hub of Dock A &#; which is split across seven floors which are visually connected through the generous light-filled atrium. Passenger flows are funneled through the atrium that connects all floors via stairs, escalators and elevators &#; from the underground immigration hall to all arrival and departure levels, and the lounges on the top floors of the central hub.

During the summer, the inclined roof surface of the winter bath functions as an amphitheater facing the pools as well as the park, increasing the connection between the bath and Islands Brygge. Throughout the winter the active zone is mainly under the lifted deck, where the winter bath facilities are placed facing southwest. During the dark months, the winter bath brings life to the area and can be seen as a lantern from both Islands Brygge and Kalvebod Brygge.

Architecture evolves from the collision of political, financial, functional, logistic, cultural, structural, environmental, social and many yet unnamed and unforeseeable interests. Bruce Mau once visited BIG&#;s office and saw a  series of projects including a study on Danish harbor activities. He was fascinated by the study and asked us to mail him the slides as he was leaving the next day. When he received it, he replied: &#;No, no. I want the one you explained when we were there.&#; We assured him it was the same one. He said &#;It&#;s interesting. In most cases when you see architects work, its&#;s dead drawings and superficial images. But when you get a tour of the office or visit a building with the architect, you feel the energy and get all these little punch lines and invisible stories that make the whole work come to life! Too bad it&#;s so hard to capture in an exhibition, or even worse in a book!&#;