BIG&#;s third proposal for the new Kimball Arts center is designed as a series of gabled roofs, oriented on site for best daylight conditions and creating a volume that is compatible with the vernacular of the Park City area. Layering the program and mitigating the height difference between the site edges, the geometry steps back from the busy road at the upper level and extends towards ground plane to create a unified roofscape that houses galleries, classrooms, art studios, restaurant, and administrative spaces.

The second line which is a metro line with .&#; km length and stations. line construction is going to finish in early . The first phase of line with kilometers and stations is started on February . On March two stations were added to the network in test operational mode and the first interchange station was added to the network. On May , Iranian President Hassan Rouhani took part in the inauguration ceremony of the first Mashhad Urban Railway interchange station, "Shariati", which connects line and .

The landscape unites across the railway and is shaped by flow. The fast flow that takes the traveler directly to their destination, the slow flow that takes the visitor on a journey of discovery and a coffee break, the bicycle flow that swings slightly in the landscape, and a winding flow that provides accessibility for everyone. On top of this landscape an environment of commercial surfaces with street furniture and protected zones gives an organic and soft expression. Residents will be able to cross the railroad tracks and travel between the districts all year round and around the clock via the separated pedestrian and bicycle passage. Ground heating and lighting will be available for cold and dark periods.

Architecture evolves from the collision of political, financial, functional, logistic, cultural, structural, environmental, social and many yet unnamed and unforeseeable interests. Bruce Mau once visited BIG&#;s office and saw a  series of projects including a study on Danish harbor activities. He was fascinated by the study and asked us to mail him the slides as he was leaving the next day. When he received it, he replied: &#;No, no. I want the one you explained when we were there.&#; We assured him it was the same one. He said &#;It&#;s interesting. In most cases when you see architects work, its&#;s dead drawings and superficial images. But when you get a tour of the office or visit a building with the architect, you feel the energy and get all these little punch lines and invisible stories that make the whole work come to life! Too bad it&#;s so hard to capture in an exhibition, or even worse in a book!&#;

By harnessing the economies of scale associated with greenhouse structures it is possible to provide a % transparent enclosure to provide the future massive silhouette on Uppsala’s skyline with an unprecedented lightness while allowing the citizens to enjoy educational glimpses of what happens within. Rather than the conventional, alienating hermetic envelope of traditional power plants the crystalline volume serves as an invitation for exploration and education. The next generation of creative energy.