The Arts District in Los Angeles is experiencing a rapid renaissance, drawing creatives to the city from the fine arts, to engineering. When hired to design Los Angeles Arts District (LAAD), or Mesquit &#; a mixed-use development incorporating housing, offices, and public spaces &#; BIG asked: how can the Arts District be renewed by embracing rather than replacing the qualities that have spawned this unique urban culture

The Gammel Hellerup School just north of Copenhagen is a well-preserved piece of architecture and a good example of building on a human scale. BIG was asked to design two new buildings, a new multi-purpose hall and a new arts building for the growing school. The challenge was to develop a masterplan and architectural design for new buildings that met the school’s changing needs while still respecting the traditional architecture.

The new building would provide the physical environment for collaboration and idea sharing through the internal mix of open workplaces, amenities and informal meeting spaces. Large stairwells between the floors form cascading double-height communal spaces throughout the headquarters. These continuous spaces enhance connectivity between different departments and amenities, which may include basketball courts, a running track, a cafeteria and screening rooms. The amenity floors are located so they can feed directly out onto the roof top parks.

The , m residence includes units of public housing to be built for Billund Housing Association, elderly care homes for Billund Municipality, and rental apartments for development group Kirkbi. The building forms a gentle curve along the corner streets of Vejlevej and Hans Jensens Vej, rises to the height of the building on the opposite street, while the corner ends are pressed down to meet the scale of the neighboring buildings.

To trigger a Dantean turn of events toward the end of the film, the main character constructed a house out of frozen corps. It needed to resemble a child’s idea of a house. Archaic and iconic. It had to be credible as something made in a hurry, but also terrifyingly compelling as an architectural vision of horror. Louis Kahn famously reminded us: “It’s important, you see, that you honor the material that you use&#; ‘What do you want, Brick’ And Brick says to you, ‘I like an Arch.’