Eight outdoor roof terraces located on the corner perimeters of each ‘bar’ offer sweeping -degree views of the mountains to the north, the campus to the west, and the Roberts Campus to the east. Designed with a mix of hardscape and softscape areas featuring native plantings, these “green roof” spaces are multi functional, designed to be used for outdoor classrooms, study areas, or places to meet classmates and professors.

Vancouver House is located at the main entrance to Vancouver right where Granville bridge triforks when it reaches downtown. The resulting triangular slices of land had remained undeveloped until now. When engaged by Westbank to design a residential high-rise for the highly complex site, BIG started by mapping the constraints: setbacks from the streets; a m setback from the bridge; and a neighboring park had to be protected from shadows. After all the constraints, a small triangular site nearly too small to build on was left.

Expected to be completed in , the Robert Day Sciences Center launches a series of campus developments and improvements to prepare Claremont McKenna for its next chapter, and represents an educational evolution in how the College will prepare its students &#; one that deliberately and coherently integrates sciences and computation with the humanities and social sciences to address big thematic priorities in scientific discovery and application.

The studio’s circular shape dismisses the front side-back side logic of a conventional building and produces a non-hierarchical shape that becomes most appropriate in its context of public space. The circular footprint also maximizes its surrounding public space, allowing the recording studio to become more of a sculpture rather than a building. Because the program of the studio has different requirements for clear heights, the roof elevation is strategically varied to form three peaks. These peaks occur at the live room, artists’ private lounge, and academy studios to provide generous space to its users, creating a playful yet elegant roof line reminiscent of the fluidity of sound. The form is then optimized to produce a series of equal horizontal modules that maintain the readability of the undulating roof edge and efficiency of the building structure.

As a projection of a geometrically perfect circle on to the steep slope, the new gallery is conceived as a courtyard building that combines a pure geometrical layout with a sensitive adaption to the landscape. The three‐dimensional imprint of the landscape creates a protective ring around the museum’s focal point, the sculpture garden where visitors, personnel, exhibition merge with culture and nature, inside and outside.