Exploring the store and its different levels feels like a carefully curated environment where furniture is never only storage: interweaving carpets become dressing rooms, countertops are a sculptural stack of elements, magic carpets for the shoe display double as furniture for the shoppers to sit and try the footwear. The upper levels of the store are more refined and continue the idea of furniture as artifact.
Like the monsoons, the dust storms and the mountains, the BIG Pin is also an exceptional moment, a point of reference and a mechanism to set the still landscape in motion only this time through the movement of the spectator. Instead of referencing other observation towers, the Pin takes as a point of reference Frank Lloyd Wright’s celebrated Guggenheim Museum of New York. The visitor experiences the museum as a spiral motion looking inward. At the BIG Pin, the focus is reversed. Instead of a void, there is the dramatic landscape of Phoenix, Arizona.
On the same ground floor, those with tickets can enjoy performances in OARA’s -seat theatre featuring flexible seating configurations and acoustic systems optimized by an all-black checkerboard panel of concrete, wood and perforated metal. Upstairs, film-goers can view screenings at ALCA’s red-accented -seat cinema or visit the two production offices and project incubation area. FRAC occupies the upper floors with m high exhibition spaces, production studios for artists, storage facilities, -seat auditorium and café.
A bike path and a pedestrian path runs through the entire park, improving the infrastructure locally in the area while integrating it into the broader, citywide context. This is because the cycle route is also a part of a much longer cycle route that runs from Valby in the south, up through Frederiksberg to Lyngbyvej in the north. Today, the path is part of a kmt green arc connecting the west and north side of Copenhagen.
Following these developments, the installation of urban furniture sculptures began based on the daily needs of the city, and cities found a new structure. The need for the use of livable street areas and the experience of the city in creating public space and attention to the design of urban spaces became wider every day. On the other hand, social life and daily activities that took place outside the home, covered large parts of the city, and on the other hand, the various expectations and tastes of citizens to use these spaces increased moment by moment.