Following these developments, the installation of urban furniture sculptures began based on the daily needs of the city, and cities found a new structure. The need for the use of livable street areas and the experience of the city in creating public space and attention to the design of urban spaces became wider every day. On the other hand, social life and daily activities that took place outside the home, covered large parts of the city, and on the other hand, the various expectations and tastes of citizens to use these spaces increased moment by moment.

To trigger a Dantean turn of events toward the end of the film, the main character constructed a house out of frozen corps. It needed to resemble a child’s idea of a house. Archaic and iconic. It had to be credible as something made in a hurry, but also terrifyingly compelling as an architectural vision of horror. Louis Kahn famously reminded us: “It’s important, you see, that you honor the material that you use&#; ‘What do you want, Brick’ And Brick says to you, ‘I like an Arch.’

In the direction of the bridge, the building consists of a procession of parallel concrete frames that change scale, from generous to intimate, then generous again to open on EuropaCity. Viewed from the front, the building is opaque, enigmatic, but the graceful curves come to envelop the visitors in this poetic procession. When visitors cross the first frames, they discover a building of great transparency, an inviting and open space whose vibrant activity draws them inward.

The National Bank of Iceland, Landsbankinn held an international design competition for a new building in the center of Reykjavik, to consolidate the bank&#;s operations under one roof instead of operating from different locations around the country. BIG&#;s proposal was chosen for it&#;s vision to combine both the bank&#;s and the public&#;s interests: a corporate HQ that could function as an urban center.

The Coral is the cornerstone of the Albany Masterplan. Located at the southern tip of the  public promenade, it has a unique relationship with the harbor entry and with the South West Bay beyond. It is one of the largest buildings in Albany with wraparound balconies offering spectacular, panoramic views from the marina to the ocean, and beyond. Different unit sizes introduce dynamic irregularities in the pattern, similar to the staggered elevation of The Honeycomb and The Cube. The rounded motif of the plan is repeated in elevation and creates a natural opening that exposes a dipping pool for every balcony at the demising wall of the units below. These unique pools have a transparent edge towards the marina and ocean, eliminating the visual barrier between the pool and the surrounding environment and allow bathers to become fully immersed in the view of the marina and the ocean beyond.