The façade is composed almost entirely of , prefabricated concrete panels interspersed with windows of various sizes to control the amount of light entering inside and to create a sense of transparency. The concrete slabs, which weigh up to . tons, are sandblasted to expose its raw qualities and to texture the surface with the local sandstone of Bordeaux. Yellow granules for brightness and warmth radiate the building in the sun and help integrate MÉCA as a familiar yet new vernacular sight to the city.

The bikes form the foundation of the Biomega collection, sharing a common design language based on simplicity, practicality and iconic features. All bikes are designed with high attention to detail with the goal of making the bicycle a visually coherent product that feels holistically designed. Models range from the small and foldable BOS for smaller dwellings, to the lightweight electrically assisted OKO and the urban hauler PEK.

Diverging from the condominium typology is a world-class recording studio, The Sanctuary – located adjacent to the public plaza on the most prominent site in the entire resort. Despite being the lowest lying structure in Albany, it’s location at this significant intersection maintains convenient access to the marina, plaza, golf course, beachside, and other resort amenities. Surrounded by extraordinary views of the marina and its surrounding community, the state-of-the-art recording studio attracts the world’s most famous recording artists to Albany to record their next chart-topping hits.

Through an intensive curatorial process in close collaboration with the neighborhood&#;s residents, more than objects from cultures appear throughout Superkilen. Ranging from exercise equipment from Muscle Beach in LA and sewage drains from Israel, to palm trees from China and neon signs from Qatar and Russia &#; each object is accompanied by a small stainless plate inlaid in the ground describing the object, what it is and where it is from. The art group Superflex took the public participation further into the extreme by handpicking five groups of people and travelling to the country of their origin to document the process of selection.

At Rue de la Verrerie the façade pushes a bridge across the street to connect to its neighbor. The traditional elements of architecture fuse into a continuous warped surface: wall becomes roof becomes ceiling becomes gate becomes bridge. At a glance the new architecture blends seamlessly with its neighbors. On closer inspection it is a social sculpture shaped by the flow of people passing between its streets and archways, courtyards and rooftops.