The top of the building is crowned by the Masterpiece Gallery, a collection of LEGO fans’ beloved creations that pay tribute to the LEGO community. The Masterpiece Gallery is made of the iconic × LEGO brick and showcases art beneath eight circular skylights that resemble the studs of the brick. Like the golden ratio, the proportions of the brick are nested in the geometries of everything man-made in the building, from the glazed ceramic tiles in the steps and walls to the overall block scheme. Atop the Masterpiece Gallery, citizens and visitors can get a ° panoramic view of the city. Some of the rooftops can be accessed via pixelated public staircases that double as informal auditoria for people watching or seating for performances.

Due to its rotational period, as well as its axial tilt relative to the ecliptic plane, its season and day cycles are extremely similar to Earth&#;s. It is the home to the highest mountain in the Solar System, Olympus Mons &#; a staggering three times taller than Mount Everest. It is also home to Valles Marineris, one of the largest canyons in the Solar System. Mars has two tiny moons, Phobos and Deimos &#; the Greek gods of fear and terror.

The National Bank of Iceland, Landsbankinn held an international design competition for a new building in the center of Reykjavik, to consolidate the bank&#;s operations under one roof instead of operating from different locations around the country. BIG&#;s proposal was chosen for it&#;s vision to combine both the bank&#;s and the public&#;s interests: a corporate HQ that could function as an urban center.

The Coral is the cornerstone of the Albany Masterplan. Located at the southern tip of the  public promenade, it has a unique relationship with the harbor entry and with the South West Bay beyond. It is one of the largest buildings in Albany with wraparound balconies offering spectacular, panoramic views from the marina to the ocean, and beyond. Different unit sizes introduce dynamic irregularities in the pattern, similar to the staggered elevation of The Honeycomb and The Cube. The rounded motif of the plan is repeated in elevation and creates a natural opening that exposes a dipping pool for every balcony at the demising wall of the units below. These unique pools have a transparent edge towards the marina and ocean, eliminating the visual barrier between the pool and the surrounding environment and allow bathers to become fully immersed in the view of the marina and the ocean beyond.

The m separation from the bridge was defined as a minimum distance until the building reached m up in the air, after which it could grow back out, allowing BIG to double the floor plate. The Vancouver House emerges from the ground, expands as it rises, appearing like a Genie let out of the bottle. What seems like a surreal gesture is in fact a highly responsive architecture – shaped by its environment.