Burial and parquet lights In Dizin ( Sale )

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Named after the Oaxacan born artist Rufino Tamayo (-) and with the symbolic shape of the cross, the museum&#;s shape derives from the client’s preliminary studies that defined the optimal functionality. BIG&#;s proposal further enhances it by taking advantage of the best views from above, making the best of the steep terrain and shading the more social program below and creating exterior and interior spaces that overlap for optimal climatic performance.

By harnessing the economies of scale associated with greenhouse structures it is possible to provide a % transparent enclosure to provide the future massive silhouette on Uppsala’s skyline with an unprecedented lightness while allowing the citizens to enjoy educational glimpses of what happens within. Rather than the conventional, alienating hermetic envelope of traditional power plants the crystalline volume serves as an invitation for exploration and education. The next generation of creative energy.

The equilateral triangular footprint creates a building with no ends, only three faces perceived as free standing two-dimensional surfaces. The conference center and lobby is sunken into the landscape, leaving the hotel building in a small oasis of Swedish forest in an airport city of parking lots and infrastructure. In the center of the building a series of executive meeting rooms hang inside a hexagonal atrium, creating a kaleidoscopic view from the lobby to the sky.



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