The BIG Pin is designed for the warm, arid climate of the Arizonian desert. The concrete mass of the structure acts as energy storage; heat is absorbed during the day and slowly released during the night to offset the active cooling needs. The perimeter balconies provide the visitors with cooling shade and wide views, minimizing direct sunlight exposure, while also allowing for the clearest possible glass façades.
The wooden Panda figure for ARCHITECTMADE is designed for BIGs Panda House at Copenhagen Zoo. The new habitat for two giant pandas was created in the yin-yang symbol, based on the Chinese philosophy for balance and opposition within a simple shape. The Panda mimics this simplicity, with the rotation of the upper body and movability of the arms and legs. The Panda figure is available in large or small size.
The Village is conceived as a central living room a dynamic hub surrounded by a collection of spaces tailored to the needs of the Hopkins community. The building negotiates the sloping grade of the site to allow direct entry from all four levels of the building, while maintaining a human scale and providing several accessible routes across the site. Arriving on Charles Street, students and visitors are greeted by an open building façade with dining areas spilling out onto an adjacent plaza.
By harnessing the economies of scale associated with greenhouse structures it is possible to provide a % transparent enclosure to provide the future massive silhouette on Uppsala’s skyline with an unprecedented lightness while allowing the citizens to enjoy educational glimpses of what happens within. Rather than the conventional, alienating hermetic envelope of traditional power plants the crystalline volume serves as an invitation for exploration and education. The next generation of creative energy.
As a projection of a geometrically perfect circle on to the steep slope, the new gallery is conceived as a courtyard building that combines a pure geometrical layout with a sensitive adaption to the landscape. The three‐dimensional imprint of the landscape creates a protective ring around the museum’s focal point, the sculpture garden where visitors, personnel, exhibition merge with culture and nature, inside and outside.