The panoramic gallery is a large open space suitable for sculptures and large installations, with the ability to be subdivided for special occasions and events. On the north end, a full-height glass wall offering panoramic views to the pulp mill and river tapers while curving upwards to form a cm-wide strip of skylight. A café is situated at this end of the gallery, where guests can enjoy snacks while taking in the view of the historic pulp mill and surrounding landscape. During the summer months, the café service area spills onto the plateau just outside.

A rooftop venue and café are accessible to the public as well. The sloping of the roof creates an amphitheatre-like space that is framed by a dramatic backdrop of the city itself. With open venues, one sheltered and one with a rooftop view, &#; and traditionally hidden theatre spaces being revealed out towards the city &#; the new National Theatre of Albania will be both stage and actor in the city of Tirana.

As a contribution to the public conversation, BIG developed the BQP – turning the BQ-Expressway into a BQ-Park, while still accommodating significant vehicle flows along the route. The BQP provides a platform for adding significant new parkland along an underused corridor, while connecting Brooklyn Heights to Brooklyn Bridge Park with a preserved or re-constructed cliffside – crisscrossed by rampways, greenery, and park amenities. Read more about the proposal

The bikes form the foundation of the Biomega collection, sharing a common design language based on simplicity, practicality and iconic features. All bikes are designed with high attention to detail with the goal of making the bicycle a visually coherent product that feels holistically designed. Models range from the small and foldable BOS for smaller dwellings, to the lightweight electrically assisted OKO and the urban hauler PEK.

Like the monsoons, the dust storms and the mountains, the BIG Pin is also an exceptional moment, a point of reference and a mechanism to set the still landscape in motion &#; only this time through the movement of the spectator. Instead of referencing other observation towers, the Pin takes as a point of reference Frank Lloyd Wright’s celebrated Guggenheim Museum of New York. The visitor experiences the museum as a spiral motion looking inward. At the BIG Pin, the focus is reversed. Instead of a void, there is the dramatic landscape of Phoenix, Arizona.