The landscape unites across the railway and is shaped by flow. The fast flow that takes the traveler directly to their destination, the slow flow that takes the visitor on a journey of discovery and a coffee break, the bicycle flow that swings slightly in the landscape, and a winding flow that provides accessibility for everyone. On top of this landscape an environment of commercial surfaces with street furniture and protected zones gives an organic and soft expression. Residents will be able to cross the railroad tracks and travel between the districts all year round and around the clock via the separated pedestrian and bicycle passage. Ground heating and lighting will be available for cold and dark periods.
The base of the building utilizes the maximum area of the site, housing TV studios and , sq ft of retail space over multiple levels. The lobby is connected to the WTC transit hub, providing direct access to subway lines and PATH trains. A public plaza at the foot of the building and access to shopping and restaurants in the adjacent transportation hub and concourses will ensure life and activity in and around the new World Trade Center.
Vancouver House is located at the main entrance to Vancouver right where Granville bridge triforks when it reaches downtown. The resulting triangular slices of land had remained undeveloped until now. When engaged by Westbank to design a residential high-rise for the highly complex site, BIG started by mapping the constraints: setbacks from the streets; a m setback from the bridge; and a neighboring park had to be protected from shadows. After all the constraints, a small triangular site nearly too small to build on was left.
Eight outdoor roof terraces located on the corner perimeters of each ‘bar’ offer sweeping -degree views of the mountains to the north, the campus to the west, and the Roberts Campus to the east. Designed with a mix of hardscape and softscape areas featuring native plantings, these “green roof” spaces are multi functional, designed to be used for outdoor classrooms, study areas, or places to meet classmates and professors.
Like the monsoons, the dust storms and the mountains, the BIG Pin is also an exceptional moment, a point of reference and a mechanism to set the still landscape in motion only this time through the movement of the spectator. Instead of referencing other observation towers, the Pin takes as a point of reference Frank Lloyd Wright’s celebrated Guggenheim Museum of New York. The visitor experiences the museum as a spiral motion looking inward. At the BIG Pin, the focus is reversed. Instead of a void, there is the dramatic landscape of Phoenix, Arizona.