Through an intensive curatorial process in close collaboration with the neighborhoods residents, more than objects from cultures appear throughout Superkilen. Ranging from exercise equipment from Muscle Beach in LA and sewage drains from Israel, to palm trees from China and neon signs from Qatar and Russia each object is accompanied by a small stainless plate inlaid in the ground describing the object, what it is and where it is from. The art group Superflex took the public participation further into the extreme by handpicking five groups of people and travelling to the country of their origin to document the process of selection.
An unbroken section measuring only mm in diameter shapes the structure and houses all the opto-electronic and mechanical elements. Its minimalist presence creates a perfect balance between different materials, weights, light quality, precision of movement and functionality, revealing a deep know-how merged with technological innovation. What appears to be continuity is actually a succession of components with different functions and characteristics, which translate technological complexity into simplicity and freedom.
The building consists of four main materials and elements which are also found in the existing structures and natural landscape of the area concrete, steel, glass, and wood. The walls of the exhibition rooms are made of concrete cast onsite, supporting the landscape and carrying the fascinating roof decks that cantilever out m. The largest roof deck weighs approximately , ton a complex roof structure that is engineered by Swiss Lüchinger+Meyer. The main interior materials utilized throughout the gallery spaces are wood and hot rolled steel, which is applied to all the interior walls.
Located along Independence Avenue SW from th to th street, the roughly -acre site includes the Castle, the Arts and Industries Building, the Freer Gallery, and the Hirshhorn Museum and Sculpture Garden – all individually listed or eligible for listing on the National Register of Historic Places – and the mostly subterranean Quadrangle Building which is home to the National Museum of African Art, the Sackler Gallery of Art and the S. Dillon Ripley Center.
Intrepid’s front façade is created by the strategic stacking of High Concrete’s precast panels of varying sizes, figured in a basket-weave pattern to realize the top of the building’s straight edge. As the panels reach upward they also tilt outward, creating an inviting, cave-like canopy over the building’s front sidewalk. Each of the building’s other three sides stand straight up, maintaining the structure’s signature paneling.