BIGs proposal was designed to serve as the new headquarters for st Century Fox and News Corp who were planning to move and consolidate their companies and more than , people under one roof. The design concentrates the needs and requirements of the media company and other tenants into seven separate building volumes, each tailored to their unique activities, while simultaneously creating , sq ft of outdoor space.
The vegetation and landscape at the Panda House closely mimic the pandas’ natural habitat with patches of bamboo scattered throughout. The pandas must be able to find both shade and sun, as well as water and foliage. By creating two forests – a dense, mist forest and a light green bamboo forest, Mao Sun and Xing Er have the opportunity and flexibility to explore both landscapes, according to season, temperature and preference.
BIG-designed buildings were recreated in LEGO bricks by AFoL (Adult Fans of LEGO) master builders from all over the world. Each model was paired with the building’s three-dimensional digital information model that embodies all technical aspects of the project – from the functional layouts, structure and circulation to the mechanical services and materials – into a single digital twin of the built reality. With these two data points – the ‘low-res’ physical abstractions of the LEGO models and the ‘high-res’ digital specifications – visitors could see the complexity behind the playful simplicity.
BIGs design combines four universal archetypes across space and time into a new national symbol: the circle, the rotunda, the arch and the yurt are merged into the form of a Moebius strip. The clarity of the circle, the courtyard of the rotunda, the gateway of the arch and the soft silhouette of the yurt are combined to create a new national monument appearing local and universal, contemporary and timeless, unique and archetypal at the same time.
On the same ground floor, those with tickets can enjoy performances in OARA’s -seat theatre featuring flexible seating configurations and acoustic systems optimized by an all-black checkerboard panel of concrete, wood and perforated metal. Upstairs, film-goers can view screenings at ALCA’s red-accented -seat cinema or visit the two production offices and project incubation area. FRAC occupies the upper floors with m high exhibition spaces, production studios for artists, storage facilities, -seat auditorium and café.