Superkilen is divided into three color-coded areas, each with a distinct atmospheric and functional condition: the large and expansive red square which serves as an extension of the adjacent sports hall offering a range of recreational and cultural activities; the black square as the heart of the Superkilen where locals can meet by the Moroccan fountain or a game of chess; and a linear green stretch as a natural meeting place for large-scale sports activities with vantage points over the surroundings.

The simple manipulation of the archetypical space-defining garden wall creates a presence in the Park that changes as you move around it and through it. The north-south elevation of the Pavilion is a perfect rectangle. The east-west elevation is an undulating sculptural silhouette. Towards the east-west, the Pavilion is completely opaque and material. Towards the north-south, it is entirely transparent and practically immaterial. As a result, presence becomes absence, orthogonal becomes curvilinear, structure becomes gesture and box becomes blob.

The building’s double curved, precast concrete façade bows inwards to create a generous urban canopy that responds to the ‘shock wave’ of the park’s circular running track, activity pods and planting vignettes – rippling outwards like rings in water to invade the building’s footprint. Visitors and employees can admire the mothballed ships sitting in the adjacent docks while embracing the Central Green Park.

Through the Artemis program &#; a collaboration with commercial and international partners to explore more of the lunar surface than ever before &#; NASA has signaled that the Moon will be the first off-Earth site for sustainable surface exploration. ICON, a developer of advanced construction technologies such as robotics, software, and building materials, was awarded a government Small Business Innovation Research (SBIR) contract, including funding from NASA, to begin research and development of a space-based construction system that could support future exploration of the Moon. From landing pads to habitats, this collective effort between BIG, ICON, SEArch+, and NASA is driven by the belief that humanity can and should become a spacefaring civilization.

Upon entering The Smile, residents are met by red, blue, green, and yellow tiles, inspired by Harlem’s Puerto Rican and Caribbean murals. The exterior of the building trickles into the interior, with the multicolored mailbox mirrors, colored tiles, and the wooden furniture shaped to mimic the curve of the building form. The material palette, herringbone tile pattern and sparks of color are carried into the elevators and the upper floor residential lobbies, creating a unified experience throughout the building.