The site is laid out as a grid of , x , meter squares, creating one continuous pixelated surface. As a topographic map the surface is morphed to form a terraced landscape of towers, accommodating . m housing, hotel, offices and shops. The project becomes an accumulation of individual niches and outdoor spaces forming a collective organic architecture &#;  a Scandinavian high rise typology incorporating the human scale, the rationality and flexibility of Danish building tradition.

The , m residence includes units of public housing to be built for Billund Housing Association, elderly care homes for Billund Municipality, and rental apartments for development group Kirkbi. The building forms a gentle curve along the corner streets of Vejlevej and Hans Jensens Vej, rises to the height of the building on the opposite street, while the corner ends are pressed down to meet the scale of the neighboring buildings.

BIG was engaged to create symbiosis between old and new &#; in both stylistic and atmospheric terms &#; housing community activities and support rooms, a large hall that has the power to unite, inspire and create space for the parish to come together. BIG&#;s proposal is based on the existing architecture of the church. The geometry is formed as an extension of one of the church’s four wings, with all the new functions placed at ground level.

Tallinn municipality decided to consolidate its public governance and service entities into a new town hall. Located to the north of the medieval city center set within the green ring that wraps around the ancient city walls, the new town hall occupies a key position in the successful urbanization of the waterfront and offers a unique possibility of linking land and sea, old and new, public space and public institutions.

To trigger a Dantean turn of events toward the end of the film, the main character constructed a house out of frozen corps. It needed to resemble a child’s idea of a house. Archaic and iconic. It had to be credible as something made in a hurry, but also terrifyingly compelling as an architectural vision of horror. Louis Kahn famously reminded us: “It’s important, you see, that you honor the material that you use&#; ‘What do you want, Brick’ And Brick says to you, ‘I like an Arch.’