During the summer, the inclined roof surface of the winter bath functions as an amphitheater facing the pools as well as the park, increasing the connection between the bath and Islands Brygge. Throughout the winter the active zone is mainly under the lifted deck, where the winter bath facilities are placed facing southwest. During the dark months, the winter bath brings life to the area and can be seen as a lantern from both Islands Brygge and Kalvebod Brygge.

In the design concept for Ellsinore Psychiatric Clinic BIG steered clear of all clinical stereotypes: the traditional hospital hallway without windows and rooms on both sides; artificial easy-cleaning materials like plastic paint, linoleum floors or ceilings made of gypsum, etc. Instead, all materials have their natural surfaces. Cast floors in concrete or lively colors and walls made of glass, wood and concrete. Functionally the hospital is tailor-made to modern psychiatric treatment and therapy. Experientially the hospital appears as anything but a hospital.

The bikes form the foundation of the Biomega collection, sharing a common design language based on simplicity, practicality and iconic features. All bikes are designed with high attention to detail with the goal of making the bicycle a visually coherent product that feels holistically designed. Models range from the small and foldable BOS for smaller dwellings, to the lightweight electrically assisted OKO and the urban hauler PEK.

To trigger a Dantean turn of events toward the end of the film, the main character constructed a house out of frozen corps. It needed to resemble a child’s idea of a house. Archaic and iconic. It had to be credible as something made in a hurry, but also terrifyingly compelling as an architectural vision of horror. Louis Kahn famously reminded us: “It’s important, you see, that you honor the material that you use&#; ‘What do you want, Brick’ And Brick says to you, ‘I like an Arch.’

Running from January through August , Hot to Cold marked BIG&#;s first major North-American exhibition offering a behind-the-scenes look at BIG&#;s creative process and how the studio&#;s designs are shaped by  cultural and climatic contexts. More than architectural models, mock-ups and prototypes were suspended at the sec­ond-floor balconies of the museum&#;s historic Great Hall, turning the architecture of the National Building Museum into the architecture of the exhibition.