The studio’s circular shape dismisses the front side-back side logic of a conventional building and produces a non-hierarchical shape that becomes most appropriate in its context of public space. The circular footprint also maximizes its surrounding public space, allowing the recording studio to become more of a sculpture rather than a building. Because the program of the studio has different requirements for clear heights, the roof elevation is strategically varied to form three peaks. These peaks occur at the live room, artists’ private lounge, and academy studios to provide generous space to its users, creating a playful yet elegant roof line reminiscent of the fluidity of sound. The form is then optimized to produce a series of equal horizontal modules that maintain the readability of the undulating roof edge and efficiency of the building structure.

Expected to open in years, the new Dock A designed by BIG includes Schengen and Non-Schengen gates, airside retail, lounges, offices, the new air traffic control tower, and an extension of the immigration hall. BIG&#;s design is conceived as a mass timber space frame that is structural design, spatial experience, architectural finish, and organizational principle in one. The structure is made from locally sourced timber, and the roof is entirely clad in solar shingles turning sunlight into a power source.

Capital is a flexible, foldable pair of headphones, designed to provide on-the-go urbanites with the opportunity to listen to their preferred sounds. Users can soundtrack their day in any kind of weather and at all times, while wearing a design that’s effortlessly iconic, thoroughly realized and comfortable. Made out of fiber-reinforced nylon with a lightweight rubber brace, this is a headphone built to withstand heavy everyday use in urban environments. It’s tested to withstand rain, snow and dirt, while delivering clear and crisp sound from the protected mm driver.

BIG was invited for a competition to design a Maritime museum inside the neighboring decommissioned dry-dock, where ships used to be built. Instead, BIG proposed to place the museum underground, just outside the wall of the dock in order to preserve the dock as an open, outdoor display, maintaining the powerful structure as the center of the Maritime Museum. By placing the museum this way, it appears as a discreet part of the cultural environment associated with the Kronborg Castle and the neighboring Culture Yard, while at the same time manifesting itself as an independent institution.

In , BIG participated in an open design competition for a new Water Culture House in Odense, Denmark&#;s third largest city. The traditional method of designing swimming pools often starts with the creation of a container box from which a hole is excavated to form the water basin. For the creation of a ‘aqua center&#; it seemed more appropriate to look holistically at the pool program.