The bikes form the foundation of the Biomega collection, sharing a common design language based on simplicity, practicality and iconic features. All bikes are designed with high attention to detail with the goal of making the bicycle a visually coherent product that feels holistically designed. Models range from the small and foldable BOS for smaller dwellings, to the lightweight electrically assisted OKO and the urban hauler PEK.

Keen to shape buildings and cities in Southern Europe, BIG has opened its latest office in Barcelona, Spain. Located in Barcelona&#;s Las Ramblas neighborhood, the studio houses nearly BIGsters working on projects spanning from the west to the east of the Mediterranean region, most notably the HQ for Farfetch, and Fuse Valley campus in Portugal, the Joint Research Center in Sevilla for the European Commission, and the Gastronomy Open Ecosystem for Basque Culinary Center.

Double height spaces create a visual connection between the different programs. The structural approach consists of concrete slabs and timber framing supporting a roof that is draping across the site in peaks and valleys. The landscape around the building provides two larger open entry plazas and a series of outdoor studios spilling out from inside, creating a gradient between softscape and hardscape around the site.

The interior treatments of these spaces, particularly the live room, take its geometric inspiration from a rigorous understanding of acoustic principles. Cladded floor to ceiling with highly polished oak, the live room possesses a naturally delicate ambience heavily favored by recording artists and provides an outstanding aural experience, inspiring artists to create their greatest hits of all time.

Running from January through August , Hot to Cold marked BIG&#;s first major North-American exhibition offering a behind-the-scenes look at BIG&#;s creative process and how the studio&#;s designs are shaped by  cultural and climatic contexts. More than architectural models, mock-ups and prototypes were suspended at the sec­ond-floor balconies of the museum&#;s historic Great Hall, turning the architecture of the National Building Museum into the architecture of the exhibition.