Named after the Oaxacan born artist Rufino Tamayo (-) and with the symbolic shape of the cross, the museum&#;s shape derives from the client’s preliminary studies that defined the optimal functionality. BIG&#;s proposal further enhances it by taking advantage of the best views from above, making the best of the steep terrain and shading the more social program below and creating exterior and interior spaces that overlap for optimal climatic performance.

An unbroken section measuring only mm in diameter shapes the structure and houses all the opto-electronic and mechanical elements. Its minimalist presence creates a perfect balance between different materials, weights, light quality, precision of movement and functionality, revealing a deep know-how merged with technological innovation. What appears to be continuity is actually a succession of components with different functions and characteristics, which translate technological complexity into simplicity and freedom.

Rather than a square tunnel through the building, the gateway is conceived as a smooth transition from one façade to the other, turning the surface of the museum inside out. In the direction of the bridge, the building will consist of a procession of parallel concrete frames that change in scale, from generous to intimate as you pass through. Similarly, the species of trees will range from big to bonsai and back again. The façade will seem to cave in like a loophole from front to back. Viewed from the front, the building is opaque and enigmatic. As people pass through, it turns out to be an entirely transparent space with works of art in all directions. The passageway becomes a promenade through an art archive. The building’s insides will be exposed on the outside, and its main façade will

The food labs and offices are designed to offer maximum flexibility, with open classrooms, laboratories, and kitchens that can be rearranged for different purposes due to the generous height and width of the spaces. All kitchens and laboratories feature industrial materials for hygiene and maintenance, while public programs use natural materials such as wood and stone to create a welcoming atmosphere.

To prove that the concept was affordable with standard techniques, BIG decided that nothing would be more convincing than building it in LEGO. It happened that on the : scale model of the building, the size of a single pixel was identical to the size of the smallest one-dot LEGO brick. The model showcased the silhouette that combines the stepped figure of the traditional spire with the rationality and rigour of a functional structure.