An unbroken section measuring only mm in diameter shapes the structure and houses all the opto-electronic and mechanical elements. Its minimalist presence creates a perfect balance between different materials, weights, light quality, precision of movement and functionality, revealing a deep know-how merged with technological innovation. What appears to be continuity is actually a succession of components with different functions and characteristics, which translate technological complexity into simplicity and freedom.
Expected to open in years, the new Dock A designed by BIG includes Schengen and Non-Schengen gates, airside retail, lounges, offices, the new air traffic control tower, and an extension of the immigration hall. BIGs design is conceived as a mass timber space frame that is structural design, spatial experience, architectural finish, and organizational principle in one. The structure is made from locally sourced timber, and the roof is entirely clad in solar shingles turning sunlight into a power source.
The sinuous direction of the façade corresponds to the solar orientation: it maximizes north-facing openings for natural light and views, while minimizing exposure on the sunny sides. Working with Arup engineers, BIG calculated that this very simple idea reduces the solar exposure and resultant air conditioning expenses by % without any moving parts or complicated technology. Purely because of the inherent properties of the building geometry, the building performs
The new building would provide the physical environment for collaboration and idea sharing through the internal mix of open workplaces, amenities and informal meeting spaces. Large stairwells between the floors form cascading double-height communal spaces throughout the headquarters. These continuous spaces enhance connectivity between different departments and amenities, which may include basketball courts, a running track, a cafeteria and screening rooms. The amenity floors are located so they can feed directly out onto the roof top parks.
Musée Atelier Audemars Piguet is informed by the convergence of form and content in clockwork. It is conceived like the coils of a watch, ticking and advancing in perpetuity like the gallery visitors and watchmakers moving cyclically with the structure. Every element is governed by the functional requirements of the exhibition while appearing as a sculpture conceived in a single gesture. The all-glass structure is made up of two spirals that seamlessly integrate into the existing landscape. The museum’s collection, which showcases some timepieces, is displayed alongside two in-situ production workshops, creating a living museum.