Musée Atelier Audemars Piguet is informed by the convergence of form and content in clockwork. It is conceived like the coils of a watch, ticking and advancing in perpetuity like the gallery visitors and watchmakers moving cyclically with the structure. Every element is governed by the functional requirements of the exhibition while appearing as a sculpture conceived in a single gesture. The all-glass structure is made up of two spirals that seamlessly integrate into the existing landscape. The museum’s collection, which showcases some timepieces, is displayed alongside two in-situ production workshops, creating a living museum.

On floor B, travelers can pick up their vehicle from the car rental/valet service located in the connection bridge within minutes of arriving in Terminal A, and drive off directly with the utmost convenience. On the western end, the upper “snake” is extended and cantilevered out to provide shelter and shade, whilst simultaneously creating a striking symbolic entrance gesture to the Airport City for everyone coming from the Luxembourg city center.

On the same ground floor, those with tickets can enjoy performances in OARA’s -seat theatre featuring flexible seating configurations and acoustic systems optimized by an all-black checkerboard panel of concrete, wood and perforated metal. Upstairs, film-goers can view screenings at ALCA’s red-accented -seat cinema or visit the two production offices and project incubation area. FRAC occupies the upper floors with m high exhibition spaces, production studios for artists, storage facilities, -seat auditorium and café.

The wooden Panda figure for ARCHITECTMADE is designed for BIG&#;s Panda House at Copenhagen Zoo. The new habitat for two giant pandas was created in the yin-yang symbol, based on the Chinese philosophy for balance and opposition within a simple shape. The Panda mimics this simplicity, with the rotation of the upper body and movability of the arms and legs. The Panda figure is available in large or small size.

Inside, the functions of the new JRC building are organized with public program and amenities such as dining, a conference center and social spaces on the ground floor, while the offices and research units occupy the upper floors for privacy and security. The collaborative workplaces face the plaza, while the deep-focus workspaces face the garden. The proposed layout is designed to be entirely flexible and adaptable according to any future needs of the JRC.