When asked to design an apartment block next to a parking garage, BIG saw an opportunity to explore a new form of symbiotic urbanism. Rather than placing a traditional slab of apartments next to a block of cars, BIG proposed mixing the two and exploiting their differences as a strength rather than a weakness: cars need large floor plates and good proximity to the street, while houses want sunlight and views. As a result, the parking is turned into a podium for the building&#;s homes that form a stepping landscape of houses with gardens.

Building a sustainable presence on the Moon requires more than rockets. Project Olympus&#;s robust structures will provide better thermal, radiation, and micrometeorite protection than metal or inflatable habitats can offer. Built using ICON’s D printing technology, using lunar regolith as the main building material, the habitat is designed to accommodate four astronauts for a period of up to a month at a time and maximize In Situ Resource Utilization.

The roofscape is one of the most important components that shapes the spirit of the Cloud Valley. It allows for an abundance of nature to co-exist with the office programs, thus preserving the wild landscape experience that’s traditionally difficult to access within the city limits. The green roof also embodies an ecological cohesive coexistence between human, nature, climate, and technology. To display the ultimate gesture of nature meeting technology, the green roof carpet shaping the valley and the mountain turns into the largest digital display in China at night.

BIG converted the former s Transitlager warehouse with an &#;opposite twin&#;: both the old and the new are the same size, born out of the same structural grid, but assuming different massing, geometry, and scales of use. One is straight, the other zigzagged; one is singular, the other serial; one is open and flexible, the other bespoke; public contrasts private while vibrant urban spaces complement private gardens.

The equilateral triangular footprint creates a building with no ends, only three faces perceived as free standing two-dimensional surfaces. The conference center and lobby is sunken into the landscape, leaving the hotel building in a small oasis of Swedish forest in an airport city of parking lots and infrastructure. In the center of the building a series of executive meeting rooms hang inside a hexagonal atrium, creating a kaleidoscopic view from the lobby to the sky.