BIG converted the former s Transitlager warehouse with an opposite twin: both the old and the new are the same size, born out of the same structural grid, but assuming different massing, geometry, and scales of use. One is straight, the other zigzagged; one is singular, the other serial; one is open and flexible, the other bespoke; public contrasts private while vibrant urban spaces complement private gardens.
CityLife is located on the former site of Fiera Milano. The fairs primary axis, called Domodossola Axis, was the main pedestrian walkway to the pavilions dividing the site diagonally between Largo Domodossola and Piazza Amendola. This axis is maintained in the CityLife masterplan as a visual connection and further enhanced by the underground metro. BIGs site acts as an entryway to the axis, split in two parts.
The project includes the restoration of the Daily Express Building grade II* listed building. The headquarters of the newspaper once the epicenter of the newspaper industry and one of London’s finest Art Deco interiors will for the first time in its history be given a stand-alone status. The project will provide inclusive public access to the original art deco lobby, as well as the exterior roof amenities that include views of the surrounding city.
The first stages of project development at BIG always involve a careful study of the site and the programmatic requirements. In the case of the Escher Tower, the site was an orthogonal intersection of an east-west highway and a north-south subway line, populated by a department store and a medical business. The program was identical hotel rooms with the only interesting activities to be placed in a single floor at the ground.
The existing terrain is used to form the shell by casting concrete directly on the sand with all its layers including grasses, mosses, and seashells, like an amber sand dune frozen in time. Once the concrete is dry the space is excavated underneath, leaving the thin sheet of frozen beach hovering above. Like a new sand dune vernacular for Fanø, Lycium will appear as if it was always there, shaped by the winds and the water moving sand across centuries.