The building’s double curved, precast concrete façade bows inwards to create a generous urban canopy that responds to the ‘shock wave’ of the park’s circular running track, activity pods and planting vignettes – rippling outwards like rings in water to invade the building’s footprint. Visitors and employees can admire the mothballed ships sitting in the adjacent docks while embracing the Central Green Park.
During the summer, the inclined roof surface of the winter bath functions as an amphitheater facing the pools as well as the park, increasing the connection between the bath and Islands Brygge. Throughout the winter the active zone is mainly under the lifted deck, where the winter bath facilities are placed facing southwest. During the dark months, the winter bath brings life to the area and can be seen as a lantern from both Islands Brygge and Kalvebod Brygge.
The development consists of two towers rising m to the north and m to the south, linked together at the feet by a m podium housing the main lobbies, a conference center, cafeteria, and exhibition space. The volume and height of the HQ was predetermined by the urban masterplan, leaving BIG with façade design. BIG envisioned an undulating façade like the structure of a palm leaf or the folded screen of a lamp.
Pegasus is conceived as a pressurized vessel designed inside and out as a new and radically different vehicle typology. The design focuses on unifying and covering both the pressure vessel and sled, creating a seamless appearance that combines both performance and human-centered characteristics. Since Hyperloop travel exists in a near vacuum environment, the need for aerodynamics becomes minimal, leading to a sleek design without the need for aerodynamic features. This environment makes the transportation system much more energy efficient than traditional rail transit. It’s engineered with magnetic levitation and avoids the drag of wheels, allowing for the maximum amount of speed to move the maximum number of passengers or cargo. Pegasus pods move individually as well, with a high arrival- and departure-rate allowing for on-demand travel. The front ‘scoops’ of the vessel create natural steps for comfortable entry and egress, and apertures on the sides of the fairing as well as the front door contain a forward-facing window for outward viewing down the tunnel.
To enhance the passenger experience, the spaces within the new terminal use daylight as a natural wayfinding system. A linear skylight – created by the unfolding roof of the pier – widens toward the central hub and opens up into the atrium where all departing, arriving, and transferring passengers meet. By placing the control tower in its center, the tower is experienced from the inside as a beacon that creates a sense of place, akin to a town square rather than an airport.