Like a Danish city, the Danish pavilion was best experienced on foot and by bike. The exhibition could be experienced in two speeds, as a calm stroll with time to absorb the surroundings and as a dynamic bicycle trip, where the city and city life rush past. This way, the pavilion’s theme Welfairytales (Welfare + Fairytales) re‐launched the bicycle in Shanghai as a symbol of lifestyle and sustainable urban development.

BIG conceived the bank as a simple urban perimeter block of workstations and the executive floor surrounding a large public space on the ground with all the banking facilities, including café and art galleries for the bank&#;s art collection. Bordered by two radically different contexts, the park and the sea on one side and the historic downtown on the other, BIG envisioned a building so flexible that it would become the architectural imprint of the forces of the city around it.

BIG’s Landscape, Engineering, Architecture and Planning teams come together to give form to the future of education, business and living in the Wadden Sea on the west coast of Denmark. The masterplan for Education Esbjerg – a new educational institution and campus on the island of Esbjerg Strand is informed entirely by the site’s environmental parameters: the noise from the nearby ship recycling yard and offshore rigs, dominant westerly winds, high tides, storm surges and sunlight.

Arriving passengers are guided towards the hub of Dock A &#; which is split across seven floors which are visually connected through the generous light-filled atrium. Passenger flows are funneled through the atrium that connects all floors via stairs, escalators and elevators &#; from the underground immigration hall to all arrival and departure levels, and the lounges on the top floors of the central hub.

Running from January through August , Hot to Cold marked BIG&#;s first major North-American exhibition offering a behind-the-scenes look at BIG&#;s creative process and how the studio&#;s designs are shaped by  cultural and climatic contexts. More than architectural models, mock-ups and prototypes were suspended at the sec­ond-floor balconies of the museum&#;s historic Great Hall, turning the architecture of the National Building Museum into the architecture of the exhibition.